Service 06 — Hospitality
Hospitality Interior Design
A hospitality room has to survive a full service, a hundred covers, and a decade of chairs being dragged across it — and still look like the photograph that got someone through the door.
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What's included
Operational planning
Service routes, bar and pass layouts, covers, and circulation drawn before the aesthetic decisions.
Full documentation
Plans, elevations, joinery drawings, finish schedule, and lighting plan for a commercial trade package.
Acoustic strategy
Ceiling treatment, soft surfaces, and planning so the room stays comfortable at full capacity.
Lighting scenes
Zoned, dimmable lighting that works through the whole trading day and flatters the people in it.
Durable specification
Commercial-grade finishes chosen for the real traffic and the cleaning products the team actually uses.
Code and consultant coordination
Designed against occupancy, egress, and accessibility from the start, alongside your architect and kitchen consultant.
Design that has to work a shift
The difference between a residential room and a hospitality room is that the hospitality one has staff in it. Every layout decision is also an operations decision: how far a server walks from pass to table, whether two people can pass behind the bar, where the dirty plates go, how the room turns between sittings.
We draw those routes before we draw anything else. A restaurant that looks beautiful and adds eight seconds to every trip from the pass is a restaurant that pays for that mistake every night for ten years.
Then durability. Commercial-grade upholstery with a rub count that suits the traffic, edges detailed to survive trolleys, finishes that can be cleaned with what the staff actually use rather than what the specification hoped for. Hospitality rooms fail at the edges and the corners first, always.
Sound, light, and how long people stay
Acoustics decide more about a hospitality room than the furniture does. Hard parallel surfaces make a room that is exhausting at eighty percent capacity, and guests leave earlier without ever knowing why. Soft ceiling treatment, upholstered banquettes, and broken-up wall planes are not decoration here; they are how the room stays comfortable when it is full.
Lighting does the same job for dwell time. A room needs to work at four in the afternoon and at eleven at night, which means scenes, dimming, and light at the table rather than only overhead. Getting a guest's face lit well is a commercial decision as much as an aesthetic one — people stay longer in rooms where they look good.
For hotel rooms specifically: light at the bed for reading, light at the mirror for getting ready, sockets where a person actually charges a phone, and enough places to put things down. Those four cover most guest complaints before they happen.
Working with an operating business
Hospitality projects run against a fixed opening date and a landlord's programme, and often inside a heritage or mixed-use building with its own constraints. We coordinate with your architect, the base-build team, and the kitchen consultant, and we design to a code path — occupancy, egress, accessibility, and washroom counts — rather than discovering it at permit stage.
For refurbishments in a trading business, phasing is the whole problem. A room closed for eight weeks is revenue that does not come back, so the programme gets drawn as carefully as the plan.
Questions, answered
What types of hospitality projects do you take?
Boutique hotels and guest suites, restaurants, bars and cafés, and the front-of-house parts of mixed-use buildings, in Toronto and Los Angeles. Hotel Marbré in West Hollywood is the studio's hospitality concept study, and it is labelled as a concept rather than a delivered project.
How is hospitality design priced?
Usually as a percentage of the construction budget, typically 10% to 20% in the current market, because scope on a fit-out is rarely fully known at the start. Smaller, well-defined projects can be a flat fee. You get a written fee proposal after discovery.
Can you work to a fixed opening date?
That is the normal condition for this work. The programme is drawn alongside the design, with long-lead items — joinery, upholstery, lighting, imported stone — identified in the first weeks. Where a date is genuinely not achievable for a given scope, we will say so early rather than late.
Do you handle code and accessibility?
We design against the code path from the start — occupancy, egress, accessibility, and washroom provision — and coordinate with the architect and consultants who stamp it. Finding a code problem at permit stage means redrawing a room that was already agreed, which is the expensive way to learn it.
Can you phase a refurbishment so we stay open?
Usually, and it changes the design. Phasing means the room has to be presentable at every stage, services have to be split, and the sequence gets drawn as carefully as the plan. It costs more than a single closure and it is almost always worth it against lost trade.
Opening something?
Tell us about the site, the concept, and the date you need to be open. We reply to every enquiry within two working days.
Selected projects
We take this work on across both of our home cities — interior design in Toronto and interior design in Los Angeles.
